And welcome to another chapter in the long and whiney road that I, Sir Dave of Knave, Corningshire, have humbly offered for, lo, these past two years.
In our previous chapter – late 1996 saw John Watts’ departure from our ranks. This was followed by a half-year sojourn in which Native was back to the core five-piece line-up that had formed from molten lava in ’92; back to basics, but with a twist.
We were better musicians; better at being a band; better as individual performers; most importantly, we had improved as songwriters to the point where we were now writing material meant to fit together as the larger whole of the new album we were planning.
All of the first half of ’97 was preparation for the second half. The new songs developed in the waning months of ’96 would now be honed to perfection over a period of 6 months, as Native gigs grew in frequency, and profile.
In the meantime, we kept a lookout for someone who could fill the void in the keyboard department, and (lucky for us) over the summer, we got to know Chris Wyckoff from playing together at McGovern’s Bar, our home base on Spring Street, New York City.
Chris’ affinity for New Orleans/ Professor Longhair/Art Neville funk was just what we were looking for, but he was adept enough to follow our many style mood-swings.
Chris’ inauguration came during our album sessions, which began in July, 1997, and we will delve into those sessions in upcoming posts. But, today, let’s jump to our first gig with Chris Wyckoff, from that same month.
Mary Had A Little Lamb (McGoverns 7-15-97)
Running Smooth (McGoverns 7-15-97)
Cissy Strut (McGoverns 7-15-97)