A Hot Night At Wetlands – 1993

Hey Folk!

Cornbread WednesdayWith the final post for Nativology Vol. 3 last week, it seems like a perfect time to do something a little different for this Cornbread Wednesday. But, before we do, let’s point out that we now have three volumes jam-band-packed with rare goodies from the Native vault that chart the progress of… us! So, take some time to go back and check out all three volumes. They are there for you — free!

Today we offer a great bit of video taken by band friend Oren Ritterband. This is the unedited footage, and it’s a little over a half-hour long. But, this is prime Native!! We have a live tape of the show, but it would take an amazing video expert to edit it all together, so the sound is from the camera itself.

Guest cellist, Dave Barnhart was someone we really wanted to join the band, so it’s fun to imagine what we might have sounded like if he had not gone off in that dead-end classical direction. But, whatevers, we soon added keyboardist-extraordinaire John Epstein, and history was written in lightning!

The really great thing for us, is to see Mike Jaimes playing some absolutely smoking licks on his Mary Ford Les Paul – many thought it was a Gibson SG, but we say thee nay! It was a Mary Ford, with it’s white paint stripped off, and about a thousand toggle switches installed – none of which worked!

It’s neck was so warped, no one but Mike could play it. Therefore – not only is Mike playing these dazzling parts, but he’s bending the strings into pitch!

Shortly, thereafter, we would lose it somewhere in the wilds of New Jersey, and Mike would acquire his trademark Paul Reed Smith, which would serve him so well foreverafter.

So, without further ado —

Native – Wetlands 1993

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