Our Defining Hour

By the summer of 2000, with the Y2K fears long subsided and the long lazy days of summer having slowed New York City to a crawl – Native had put the finishing touches at converting its studio, Marmfington Farm, into a self-service recording studio.

One of the earliest tracks we used in the new-to-us format of ProTools, was a song I’d written that everybody seemed to really like. I remember the time between first bringing it in and when the band had perfected it was quite short. Although its Latin lilt was a bit outside of our style, it suited us to a tee, especially with Mat & Woody’s thrilling harmonies sailing over the top.

We were basically defined as a jam band, although we billed ourselves as “Funky Fried” and all manner of other hype-oriented genres, it really came down to songwriting first, and jamming second for us. Although, we were influenced greatly by The Grateful Dead, I think it’s safe to come out and say that our main influences were The Meters and The Beatles. In fact, I used to refer to the band as The Beaters.

This song was a watershed moment for me in another way — it’s my first mix.

Although, I had produced our second studio album, Exhale On Spring Street, I always trusted and relied on engineers to see to the details of mixing the music. Craig Randall had done a wonderful job on Exhale, and now we expected John Fitzwater to do the same. To that end, he engineered today’s offering beautifully, and would continue to do so throughout all the tracking that took place in the latter half of 2000, and onward to June 2001.

But, it was early days for the project and I wanted to get my hands wet. After I dried them off, I made a mix, and that’s what we’re going to hear today.

Please note that Mike Jaimes would not get around to cutting his lead guitar tracks, nor would Chris Wyckoff get to lay down his keyboard licks, until 2004. The reason for this will be covered in a future installment of this epistemological tome.

Until then, here is the splendor of our rough mix of a very polished tune —

My Defining Hour (Demo)

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St. Stephen with a rose…

Hey, hey! We’re back, and look – it’s 2015!

We’ve been working on this Nativology project for over two years, now. Hard to believe that when Dave Thomas cued up the four-track demo he and Mike Jaimes made in November 1992 that we’d have come through four volumes of rarities from our vaults!

But, hey, we’ve always been very productive, as evidenced by today’s offering.

When John Fitzwater undertook the production of the album that would come to be known as And Then What, his first act was to get our studio, Marmfington Farm, into the twenty-first century. Gone were the easily-mangled eight track cassettes that had been our mainstay for years. Computer-based recording was the wave, and we were going to ride that wave like raving ninja surfers!

Sadly, we were not ninjas or surfers, and our relationship with technology was pretty much the same one the Frankenstein monster had with fire.

Fire bad!!

To ease the sitch, Fitz wisely led us through some sessions that were not meant for release, but were aimed at allaying our primitive fears, and getting the ninja-thing happening.

So, the new ProTools set-up’s maiden voyage culminated in today’s tune – a classic Grateful Dead song playfully reworked by Mat Hutt. (Note: Version 1, performed by Mike at the same session, appeared on Nativology Vol. 2)

In and waaaaaay out of the garden he goes —

St. Stephen 2

Cornbread Wednesday