I Think, Therefore…

Frank Hightower, the character in the song, I Think, Therefore… from the new Native mini-album December Roses, is a man who has done what most of us only dream of doing — he’s completely run away from reality and gone to live in a hole in the ground. He’s hunkered, bunkered, cut-off, and removed. His cynicism has peaked, and his answer to that cynicism is to hide away.

But, cynicism is oft-times merely a result of misreading the message of events.

When something bad happens to us we want to blame something, point fingers, shout, look defiant. We swathe ourselves in piety, wallowing in the luxurious agony of being so greatly misunderstood. We seek sanctuary, solitude, aloneness. We seek a lonely mountaintop on which, there and only there, can we reflect, assimilate, attain the higher fruits of existence, find true meaning, reach Godhead.

But, rather than a mountaintop, we settle for a hole. Not even a cellar, but a cold, dirty place in which to drill down into the furthest recesses of our darkest side.

Fortunately, we are creatures that like comfort, and before long we emerge from the gravelly depths. Sometimes renewed, sometimes regressed, and sometimes enlightened.

Frank Hightower is not exactly the emergent hermit triumphant at the precise moment in his life this song occupies. Far from it.

The hole he’s dug himself into has reached that most paradoxical of happy places — rock bottom.

He’s starting to ponder whether maybe, he might just have misread events.

He’s considering the question of his own thought processes, his powers of judgement, his criteria. Is he, or is he not the ultimate arbiter of what fate bestows?

I Think, Therefore…

Nativology Part 2: Fall Away

By the time Native rolled into the studio to begin work on its first album, Mat Hutt had become the chief songwriter of the group. From day one he’d been bringing in strong material and he’d collaborated with the rest of the band when they had song-related ideas but now he’d consolidated that position to become the primary channel through which all new songs were directed.

Mat Hutt at Wetlands

And that, for the most part, is a good thing. A band needs someone to be the ultimate arbiter of what is and isn’t right and proper for the band’s oeuvre — is it Native enough? That’s a very good question to ask.

The reason this is a good thing is that there was a lot of new songs being written (particularly by a certain drummer) that were stylistically all over the map. Mat became the siphon that every song went through for the rest of Native’s most fertile period and he made sure that the focus was not just on the strongest material but on songs that really conveyed the unique traits the band had developed, and would continue to develop.

And, of course, he had to sing them, so in hindsight, well, finding that your latest masterpiece has a lot in common with a Cobb Salad (it’s chopped) is a bit easier to understand.

Having said that, this week’s Nativology offering is pure Mat Hutt.

I remember listening to him playing the song at the breakfast table, and wondering what a Native reggae would sound like. I didn’t have to wait long, nor did anyone el
se. It landed on our first record after only a few public airings and remained in our setlists for years.

Fall Away